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Literature Text
She loathes the vacant feeling,
beneath every pore;
the desolate sensation in general.
The scrutiny that she has stored,
is beginning to decay,
and give way to all of the things,
it pains her to hide within herself.
She's become an empty bucket,
and misery trickles into her one drop at a time;
a collection she uses as her only vice.
The paranoia that she's beginning to sense,
is finally hitting the surface;
she knows they can see it scrawled all over her.
There's braille on her hips,
because it's easy to feel her every inch;
and she's content with her momentary lapse of apprehension.
No longer does she have a choice,
but to succumb among these worms--
this scum of life itself;
making her way toward the scalding hot
center.
beneath every pore;
the desolate sensation in general.
The scrutiny that she has stored,
is beginning to decay,
and give way to all of the things,
it pains her to hide within herself.
She's become an empty bucket,
and misery trickles into her one drop at a time;
a collection she uses as her only vice.
The paranoia that she's beginning to sense,
is finally hitting the surface;
she knows they can see it scrawled all over her.
There's braille on her hips,
because it's easy to feel her every inch;
and she's content with her momentary lapse of apprehension.
No longer does she have a choice,
but to succumb among these worms--
this scum of life itself;
making her way toward the scalding hot
center.
Literature
One Fate
She steps softly in the spring time,
trying to avoid landmines till fall.
She tells me she's afraid of dying,
but I know clocks scare her more.
That tick tock sound feels like a countdown,
to major cardiovascular event.
She calls herself a time bomb.
Her tears fall to my skin.
When all I can do is try and comfort,
maybe push her to walk
another mile or two.
I remind her to take the medicine,
determined to see it through.
Never have I put much faith in god
and even less in Man.
I have no faith in her willingness to fight.
I know the answers don’t lie within.
So I turn to her with much optimism,
reminding her, this is not t
Literature
have I
heaven is not a place for
wanderers, witch-talkers,
women with words
between their teeth.
for a woman, any passion
is a sin, any determination
a grievous error.
I am not to taste of
love, that potion
beautiful, despairing
and rare
I am a bondservant only.
and so I'll not say a word
but oh, have I lived.
Literature
murderer
I am a case study,
a sick condemned model
in black and emerald.
visitors clomp through
smelling of mint and
disgust, their figures interrupted
by thick iron verticals.
labcoats and clipboards,
questions in harsh nasal tones
and I spew forth false memories.
here, stranger, you cannot
digress; the truth is
pressing and evident;
I killed her and I am not
sorry.
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Featured in Groups
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My critique of "Vocalize": [link]
1. How is the imagery? Is it too dense? (Does the imagery take away from the overall subject of the piece?)
2. How is my wording choice?
3. Is the conclusion satisfactory to the build up that was created by the rest of the piece?
*Any other suggestions are also welcome.
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My critique of "Vocalize": [link]
1. How is the imagery? Is it too dense? (Does the imagery take away from the overall subject of the piece?)
2. How is my wording choice?
3. Is the conclusion satisfactory to the build up that was created by the rest of the piece?
*Any other suggestions are also welcome.
© 2011 - 2024 RemainToBetray
Comments18
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First off, I am a fan of free verse. I think you made good use of it here, and to try and fit this into rhyming or other traditional form would do it harm.
You don't use overtly sophisticated description: which I like. Instead, your word choice lays the truth bare and plain for all to see.
The fifth stanza is beautiful, the concept of braille (check your spelling) is brilliant, and I love the sensation I get from it - that stanza is in my fingers.
I don't love the word "scum" for some reason, but I can't offer an alternative... so be it.
I love the last line. Using hot as a noun and not and adjective is perfect.